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My favorite tucson art gallery, davis dominguez at 154 w. 6th, has put up another great show. it features paintings by charlotte bender and duncan martin, but it includes about a dozen other artists. the guy that runs the place would probably say that the other artists aren't technically part of the show. i say that any such distinction is perfectly meaningless to a gallery visitor. i decided to write about it because i can't remember the last time i saw so many interesting paintings in one exhibit. at the same time i've got to admit that there wasn't any single work that really knocked my socks off on a purely emotional level. cerebral pleasures surpass emotional ones here, but both sorts can be found. duncan martin, one of the featured artists, is capable of showing horribly bland calendar art along with his breathtakingly original works. doesn't he know the difference? is he perhaps attempting to reach two different groups of buyers? his worst piece is "massive, over the catalinas, " clouds building up in stately symmetry over a sedate row of mountains. some rain cells are politely running. others will surely start. it's bona fide calendar purdy pitcher stuff. but then there's "shadow ridge, " a fascinating study of clouds and mountains in which the cloudy half of the painting looks like the negative of the mountainous half because the shadows of the clouds are "printed" on the ridge. hard to believe that the artist who created the compelling tension of this piece could have wasted his time on "massive." the exhibit's other featured artist, charlotte bender, gets my vote for best of show with her "maya-n, " an oil on canvas depiction of drapery artfully crumpled over a short run of stairs. bender uses the bends, folds, ins and outs of the drapery to construct a brilliantly subtle and intricate exercise in coloration. she makes colors dance, and the dance is a deliberately complicated and challenging ballet. the impressionists loved to paint gothic church facades to get very similar effects, little suspecting that all they really needed was a sheet and a staircase. bender's "fillip the peruvian" is a very alert looking llama posed in front of more artfully crumpled fabric with a blanket artfully draped over his back, doubtlessly wondering, "what in the world is going on?" hilarious. bender also gives us something that looks like the grand canyon covered with a striped sheet. "forming earth" is oil on canvas on about a four-and-a-half foot square. the work has interesting shapes and good use of light and dark, but it's nowhere near as richly colored or as interesting as "maya-n." duncan martin's "swell, " a lustrous abstraction inspired by a sea swell, is about 18x24 inches and consists of a foreground of gray and white squiggles under a shining green blob. the work is exciting in its originality and soothing in its beauty. another martin triumph is "morning surf, " oil on canvas about 3 1 2 feet, a rocky seascape with crashing waves and an angry sky, all looking so fresh that you can almost smell the place. josh goldberg's "over a threshold leveled bright, " acrylic on canvas about 4x4 feet, looks like some explosive process happening in space with chemical debris drizzling away in the immediate aftermath. the work is purely abstract and hugely dramatic. its color gives it great intensity, but the painting also seems strangely serene. besides those featured, other artists with work on display whose names might be familiar to tucson art lovers include andrew polk, david pennington, james cook and debra salopek. an interesting aspect of this show, taken as a whole, is how much paintings with recognizable subjects resemble abstractions. some paintings are clearly representational. some are clearly abstract. many are so much in the middle that if you squint a bit they flip; their subjects dissolve into pure design. this particular coming together of genres is not a new trend. i'm not enough of an art historian to date it, but it's definitely old enough to vote. the show, which is a very good one by any measure, has the added attraction of letting those of us with a theoretical turn of mind experience the trend in one concentrated dose. [thorn welcomes comments, suggestions for future columns, and tips on local skulduggery that ought to be exposed. write to box 85571, tucson, az 85754. e-mail: doid3 aol .]. It would be impossible to repeat his feats today. one reason is that banks are far warier and no one is usually accorded the almost limitless freedoms mr krieger enjoyed. when big trades are done, they are often seen afterwards as failures of risk management. another reason why the world will probably not see another mr krieger is that today's markets are much more efficient: the excess returns that he scooped up are no longer on the table, and only if new markets emerge will there be fresh sources of profit for pioneers. indeed, a feature of modern financial markets is that they are tending to become more efficient, and that has made great trades harder than ever to concoct. that is one reason why those that do occur get big rewards.
The bracks government has a strong track record of working in partnership with the community to tackle social problems using locally developed solutions. we are focusing heavily on partnering with key community groups, local government and businesses. the problem gambling grants scheme is positive proof of our commitment with 21 projects now underway across the state. we are currently seeking applications under the second round of the grants scheme and we have allocated more than million for this initiative. these local projects are innovative, effective and highly successful in helping people in our communities who need our support. they work because they're driven by those communities themselves. another very successful initiative is the community partnership with the western bulldogs football club. since it began in 2003, the club and players have been educating young people about the risks of excessive gambling and the impact that problem gambling can have on them and their families. its been particularly encouraging to see the interest of kids when the bulldogs visit their schools and to see that they really do take notice of what the players and gambler's help are saying. all these activities help the public to understand the impact of problem gambling on individuals, families and communities and help them know where to turn when they are ready to regain control of their gambling. most of you like 93 per cent of all victorians are familiar with the ad campaign: "think of what you're really gambling with." it's such a successful campaign that three other australian states now use it and we've had requests for it from overseas. best of all, it generates a lot of calls to the gamblers help line. we know that for many people gambling is a form of harmless entertainment. for a small number of people, it can become a serious problem, particularly if it starts to have a negative impact on their life and the lives of their family. it can also have a devastating effect on the lives of young people and we especially want to prevent them from starting down the path to problem gambling. i understand that today we will be hearing about the personal experiences of some young people who developed gambling problems. i'd like to thank them and also congratulate them on their courage for sharing their story with us, which i'm sure was not easy. by better educating young people, we can improve community understanding of problem gambling and prevent problem gambling behaviour before it occurs. with gpack and the help of people like you we hope we can help young victorians nip this problem in the bud. it is now my pleasure to congratulate all those that have been involved in developing gpack. i would like to launch this important new `young people and problem gambling resource' kit and look forward to hearing about the results. thank you. Brian won his seat through the prima online satellite at royal vegas casino. Experimental individual events: developing and performing new options sponsor: national forensics association chair: joann edwards, university of mississippi participants: richard paine, north central college karen morris, university of wisconsin, eau claire edward hinck, central michigan university john perlich, hastings college john r. stanley, north central college advocating the use of experimental categories which extend the learning opportunities provided by the pantheon of events usually scheduled at tournaments, each panelistl will examine one or more "new event" by: 1 ; developing event rules, 2 ; providing at least one sample of a performance text, 3 ; detailing the educational objectives that students who compete in the event would pursue, and 4 ; examining practical considerations involved in scheduling. special feature: performances of the events by undergraduate students attending nca. 20557 2: 00 to convention center 2nd level room 206 a.
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